A journal following the history, design, construction and operation of Bernard Kempinski's O Scale model railroad depicting the U. S. Military Railroad (USMRR) Aquia-Falmouth line in 1863, and other model projects.
©Bernard Kempinski All text and images, except as noted, on this blog are copyrighted by the author and may not be used without permission.
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July 26, 2011

Reinforcements

Some new reinforcements arrived on the scene. The marching soldiers were painted by John Drye.  In the background you can see the tool shed in its final location. I made the roof removable so you can see the detailed interior. I also finished placing the artillery gunners doing their gunnery drill at Battery Schaefer, which you can see in the blurry background. The Falmouth scene is almost 100 percent done.

The lead soldier sure looks tired. These are 40mm Sash and Sabre figures.

What's he doing up there anyway?

He is an ugly chap.








I painted the converted wire man that I described earlier. He is a Cannon Model Railroad figure with a Old Glory head and some Andrea Sculpt putty for a shell jacket. I haven't decided where he will finally go.

July 25, 2011

It's down and dirty!




Whistle Cheat Sheet
Marty McGuirk and his son Jeff stopped by on Sunday after the Manassas Battle re-enactment. Jeff had not seen this layout before, though he did visit once before when I was building Tennessee Pass in N Scale. After a quick introduction, I handed them a throttle dialed in for McCallum, a coupling staff and gave them a verbal train order and switch list. I left them alone to operate while I made some operator cheat sheets for the whistle signals.

After they were done, Marty and Jeff gave me a back brief on their session. The McCallum did not run perfectly, and one or two cars were dragging brakes. Clearly more tuning is in order.

Given that both Brian, Marty and Jeff had trouble with McCallum, I took it to the wood shed and gave it a whupping. OK, not so much a whupping as more tuning. In the shop, I lowered the front end by trimming the spring. This returned the normal weight distribution on the engine driver wheels and now it tracks much reliably, especially at the tight curve into the turntable. But, now the rear pilot wheel was shorting on the valve guide. To solve this I painted all the parts with a coat of clear nail polish. Then I glued an insulating pad on the inside of the valve guide. I also added an insulating ring to the front of the cylinder on the same side. Viola, testing now shows no shorts or sparks on the front end. Sometimes the pilot truck axle dragged on the insulating ring when taking a tight curve, but a touch of oil helped. Lesson learned for future layouts, keep the curve radius over 36 inches.

I also noticed an occasional spark from the bottom of the tender when I tested the loco in a dark room. The culprit was intermittent contact with those dang wiper screws. Three coats of nail polish on these screws have help solve the problem, for  now....arrrg.

All the handling of this locomotive has resulted in a few spots on the finish that needed touch up. There was a CAA glue glob on the cab roof that required sanding. Since the finish was no longer perfect I decided to weather McCallum to make it look like an in-service machine. I used washes, chalk and dry brushing to achieve the look I wanted. It's fairly heavy, but not overly done. The stack, flat roof and surfaces that get walked on got the heaviest treatment, along with the underside.

McCallums's wood pile had some holes where you could see into the tender. To fill those I went to the yard and pruned some dead branches off a mountain laurel that is not enjoying our heat wave. I made some short lengths of wood to match the ones on the tender and filled the appropriate gaps. Then I gave the wood pile a black wash, some dry brushing and touch up paint to blend it together.

I gave the model a shot of dull cote, taking care to keep the glass clear. Then I put a wire brush on the wheels to clean off the overspray.

Back on the track McCallum is now running much better. Nearly as good as Haupt, which currently is my best runner with DCC.

Factory painted wood pile in front, newly painted in the back.
While I had the paints out,  I decided to paint the cast resin wood pile on Haupt so it would look more realistic. I also added a few twigs from the mountain laurel to make it look different from Whiton's wood pile, which uses the same casting. I was very happy with how the casting came out.  This photo compares the factory painted pile in the foreground with the newly painted and detailed pile in the back. I used a dark charcoal wash, follwed by brunt sienna, burnt umber and clay bisque paints. All got blended and applied in layers so I can't specify an exact formula.








I also put a new car in service. This is Flat Car Number 24 with SMR arch bar trucks. The SMR trucks do not have working brakes, and adding them would be difficult, at least if I used the cast brass ones. I would probably have to take the cast brakes off and use wood ones that I would have to make. But the SMR arch bar trucks are quite nice and I wanted to have some on the layout. So far none of my flat cars have working brakes. I need to decide how I will handle that issue in operation sessions.

Finally, I inspected the freight cars for dragging brakes. I oiled some of the journals and they did run much smoother. Just like a real RR, my journals will need occasional attention with oil.

A dirty Scot- the weathered McCallum
I later engraved three whistle cheat sheets and attached them to the back of each throttle with double sided adhesive. Now all you have to do it look at the back to the throttle if you forget your whistle signals. They are slightly different from what most modern operators are used to. These whistle signals came from the USMRR Rule Book of 1863.

One other point about the links that I have observed. The cars seem to track better in reverse with shorter links. SMR and I made links in two sizes. Given my tight radii, I thought the longer links would work better. But I think these create too much sideways thrust when backing and can result in derailed cars. The shorter links seem to do better when backing up, however, they are a little harder to manipulate when coupling.  I need to evaluate this further.

July 23, 2011

150th Anniversary of the Battle of Bull Run

I visited the city of Manassas today to see some of the events they had ongoing for the 150th Anniversary of the Battle of Bull Run. I did not go to the battlefield site, but instead went to the General Officers' encampment downtown near the City Museum. I also went to Camp Manassas at Jennie Dean Park, where some artillery units were camped as well as a balloonist,  sutlers and a African-American couple depicting an typical farm.   

The weather was hot, but not as humid as the previous days. It was fun seeing so many people in period dress.  Here are some pictures and a video depicting a small cavalry charge.

Brian Kammerer and Glenn LaBoeuf,  one of the guest speakers, in front of Brian's art display and sales tent.

Some of the CSA General Officers and their wives at the Lee's Lieutenant's camp near the Manassas Museum. There were lots of women in period dress at the event.

Some of the CSA tents
Some of the mounted officers demonstrated a cavalry charge. The leader sure looks like Stuart.

Part of an artillery battery at Camp Manassas.

The balloon was not flying when I was there. 

A railroad related display in the Manassas City Museum

There were several ambulances on display

Some of the tents at the Union Officers' encampment

The general officers had some elaborate tents.

July 21, 2011

Brian Kammerer Visits the Aquia Line


This weekend is the 150 Anniversary of the 1st Battle of Bull Run. The City of Manassas is hosting a major four day event with nearly 10,000 re-enactors, 60 cannon and hundreds of horses, mules and even some oxen.

Brian Kammerer, the artist that has helped me create my backdrops with his fantastic camps scenes, will be at the reenactment displaying his civil war art work. He intends to eventually cover the whole war, but he has been working on a series of prints for the first Battle of Bull Run and they are fantastic. He also produced a series of special edition prints commemorating the 150th anniversary just for this event. Check his web site for more details. If you are at the event, please stop by and check his display. He also has a fun video for sale entitled, "The Other Great Locomotive Chase."



On his way to the event, Brian spent a night at our house, where he had a chance to see the layout, offer some artistic advice, run a train and watch his video on the big screen. It was fun to listen to his comments about the making of the video as we watched it.

He also had a chance to view the crude mock-up of the Aquia Landing area. I made a cardboard cut out depicting the hull of a Passiac Class ironclad ship. Brian's advice was to make the USS Passiac slightly smaller scale so it would fit in the available space. I am still not sure that I want to include the ironclad.  I think a series of barges and tugs would more accurately depict this as a logistics base. A small gunboat might be a better fit. On the other hand, nothing says Civil War naval action like an ironclad Monitor style ship.


One factor I must consider is access to the tracks on the wharf to allow easy uncoupling. The Passaic, being a low slung ship, would not pose too much of problem if it were in the foreground as people reach over it to uncouple.

July 18, 2011

Hiking the Wild West

Sunrise and a full moon at the Grand Teton Mountains from Ox Bow Overlook

While we are hiking and enjoying the wild west of Utah, Idaho and Wyoming, I recommend you take a moment to check out Kevin Strong's blog on his garden railroad. It has some of the finest garden railway photography I have seen. Thanks to Marty McGuirk for pointing this out.

While in Utah I had a chance to visit a couple hobby shops and picked up some supplies to convert the next loco to DCC. On Don Ball's recommendation, I went with a DRGW C-Class Tsumani decoder. Brad at The Train Shoppe in Salt Lake City was quite helpful.  I'll install it when I get home.

Don Ball has a great HO layout, The Stockton and Copperopolis,  depicting the central California region in the 1890s. His website is worth a look.